Friend, fellow writer, and UNA professor of writing, Rob Koch, and I lead writing workshops through the Lauderdale County Public Library several Saturdays a year. Today we had a small group, as many of our high school age patrons are on vacation. So we did little critiquing and a lot of playing - with forms.
We flipped through Lewis Turco's
The Book of Forms: A Handbook of Poetics and selected first the Epithalamon form: A B A A B B with four feet, three feet, four, four, four, and three. All the A's must rhyme and all the B's must rhyme and the last two lines must end in the same word, albeit the sixth and final line has only three feet, six syllables where the previous line has four and eight, respectively. Each foot in each line consists of one unaccented word followed by an accented word then an unaccented word and so forth, alternating accented/unaccented throughout the poem. Lost? Bored? Try this - inspired by my recent trip to the slaughterhouse:
My feet grow colder, blocks of ice
while a hog's life is taken
next door, losing his game of dice.
But it's not for me to think twice.
I watch for the love of bacon;
only, for the bacon.
Next we tried a looser form, no rhyming. The Katauta form originated in Japan and follows a 5, 7, 7 - five syllables, seven syllables, seven syllables. The first line makes a statement and the following two answer the call with the turn directly after the first line. This is fun, if not exactly on the mark.
I don't want to clean,
but the house is damn filthy.
And there goes my Saturday.
I can not clean now.
For my hunger is too great.
Please, let the clock strike twelve noon.
Blood sugar is dropping.
Help me please, before I die.
Melodrama is rising.
Sometimes the point is simply to play - no judgement, no goal, but for the sheer enjoyment of words and their possibilities.